The only dialogue in the opening two minutes of our film is an interior monologue, belonging to the character of Dan. In order to keep to the norms and conventions of our selected genre, we highlighted stereotypical characteristics and situations associated with the working class and used aggressive, critical and taboo language -once again linking to the characters and their lifestyle. Although use of strong language will result in reconsideration of the certificate age.
Interior monologue (drafts): The process began with drafting some ideas of what our script should include, the type of language involved, the way in which it would be spoken and what is being discussed. After analyzing the opening dialogue of other films of the same genre, we found that swear words and strong language is often used. The tone is often aggressive and enthusiastic. The message trying to be conveyed is one of criticism, arrogance and negativity.
Dan: (spoken aggressively as a voice over, as footage is seen of him walking through an estate) Some will choose the easy way out from the shitty existence we've imposed upon ourselves. They'll choose a 2 bedroom, 1 bathroom, semi-detached shit hole in the middle of suburbia, complete with the latest insignificant DIY editions from the IKEA catalogue. They'll settle into a loveless marriage just so they wont die alone, pop out a few kids and slowly descend into a sexless, joyless routine of Iceland ready made microwave dinners and saturday night TV. They'll accept their place in the nostalgia of office life, take their orders from some big shot fucking cunt in a shirt and tie, make the instant coffee and fill their place in the endless line of scum, working for minimum wages that they'll only piss away on trying to accept the lives they lead. Not for me, fuck that for a laugh. I choose life. I choose football. In fact, you can forget the fucking football, I choose the fight that comes with it: broken knuckles, chipped teeth, covered in claret. Fucking yes mate.
Interior monologue (final draft):
Dan: "How do you get your kicks? Some will choose the easy way out from the shitty existence we’ve imposed upon ourselves. Waking up everyday at 6.30 to get the tube with a load of cognoscenti bastards, and accept their place in the nostalgia of office life, take their orders from some big shot fucking cunt in a tailored suit, make the instant coffee and fill their place in the endless line of scum, working for minimum wage – that they’ll only spunk away anyway on kebabs, booze and a 10 pack of Mayfair as they try to accept the lives they lead. After that go back to the 2 bedroom, 1 bathroom, semi-detached crap hole in 'shitsville', complete with a loveless marriage that’s descending into a sexless, joyless routine of Iceland ready made microwavable dinners and dull reality TV. All of which was settled for, just so you don’t die alone. Fuck that for a laugh. I choose life. I choose football. In fact you can forget the fucking football, I choose the carnage that comes with it. Football doesn’t stem from violence, but the violence stems from football. The broken knuckles, chipped teeth, the claret covered shirt - it comes from within. You either have it, or you fuck off."
The final monologue is a combination of ideas put forward by the group. We involved parts that we found particularly effective and that best suited our aim and genre. We made attempts to highlight things that would be typical to the lives of the characters and the audience, in order for them to be able to relate to the film, characters and understand the message being presented. For example many audience members will be familiar with the lifestyle of waking up early in the mornings, to take a journey to work. They will also recognize products mentioned such as, Mayfair cigarettes, instant coffee and Iceland food and make connections between them and a working class, average-joe label.